Sunday, November 14, 2010

Why I bailed on AEDM, and why that's OK

I'm in the final stages of writing, editing, and assembling my thesis for my MSc program. Those of you who have done this do not need to be reminded how obsessive and all-consuming this process is, and even if you haven't, you can pretty much relate it to any other life project that occupies every waking thought, and even many of your sleeping ones (when you can sleep).
frogs and ducks

I did think that AEDM - art every day month, hosted by the lovely Leah Piken Kolidas - would fit in just fine, given that even in this nervy, obsessive state, I still need to scribble. But although this technically fits into the theme, I don't think it really fits into the spirit of the thing. I'm doing maintenance, sanity saving scribbles - but I'm not really evolving a process, or growing skills. With regards to art, that is. And I am OK with that, because although what I am doing doesn't fit into AEDM,  NaNoWriMo (national non-stop writing month),  NaNoJouMo (national non-stop art journal month), or NaKniSweMo (national knit a sweater in November month), I'm driving towards the end of Write a Thesis in Three Months Based on Research over the Last Two Years, and I'm pretty happy with that.

Nevertheless: when my retinas are burned out from staring at the computer screen and I'm taking a break from giving myself carpal tunnel syndrome, this is what I do:

shape grid
(while watching Reality TV in an Toronto hotel room - good Lord! I never knew half these programs existed! I did get a kick out of Mantracker, though.)


drawn leaning against a pillar while visiting the Terracotta warrior exhibit at the Royal Ontario Museum. I was really captivated by this terracotta archer, kneeling in wait for his turn to shoot his wooden crossbow that seems not to have survived the millenia. Whoever carved his face must have modeled him after someone in real life; somehow he seemed more vivid, more real than the other figures.


drawn from the website, while on break at work


and finally, a bit of a test - I got some Platinum Black Carbon Ink from Jetpens - one of my Flickr contacts recommended it as a fountain pen ink that could hold up to a watercolor wash, much better than the otherwise excellent Noodler's Bulletproof black, which lifts and muddies when washed.  It's as good as she said it was - I'm happy with how clear the colours stayed when washed over here. I can see myself using this ink a lot for drawing in the future.


Anonymous said...

Be cautious and attentive with pen cleaning with the Carbon ink. I've heard some tales of enhanced clogging powers.

...oh, and good luck with the thesis!

Sophie_vf said...

oh yes! just today I read a post at FPN that made me wonder if I should really have it in my Namiki Falcon. But I really like it as a drawing pen. I suppose could always put it in my sacrificial Vista instead, but I really prefer the Falcon for drawing.

Maybe I'll put it in a Prera - I know for sure I can pull out the nib and feed and scrub it if I have to.