going west

Every year, my best trip is the pilgrimage out west to see my family. In the exact reverse of my own childhood, when my father would pack us all up and drive out of the Fraser Valley at five in the morning to take us to Calgary, Alberta, to stay with my grandparents for a few weeks, I now pack up my own children and travel in the opposite direction, from southern Alberta to the BC coast.
(perhaps not very exact, as I avoid leaving at five in the morning at all cost)



This year, we had the additional pleasure of meeting my sister and her family, who were on a road trip of her own through Alberta, in Revelstoke, where we stopped to camp overnight. It wasn't memorable just because of my kids getting together with their cousins, my husband glowering in a violently purple rain poncho, the many flaming marshmallows or even the towering, dense cedars surrounding us. It was a return to camping itself, after eleven years without so much as airing out our old tents. There is a fairly long story behind this, involving an August rain/snow/windstorm on a long weekend in Waterton, a screaming baby, a full diaper, and a shivering dog, but it exhausts me remembering it, never mind retelling it. Suffice it to say, it was over a decade before I found the  motivation to again bring tent and children on the same trip.

But on this journey out to the coast, we broke that long dry spell, and despite the other excellent camping trips that followed later in summer, this one sticks out in my mind as the one that got us going again.



For Gwen Bell's Best of 2009 challenge

Giving thanks

During Canadian Thanksgiving last month, I had ample opportunity to reflect on my gratitude towards my beloved family and friends, and now with the arrival of American Thanksgiving, it occured to me that I am also grateful for artists and bloggers who put their time, effort, words and energy out there, not always knowing who is reading and absorbing what they offer.

I've recently come out of a bit of a drawing slump; when I was given the opportunity to review the Exampta Basics Sketchbook, I realized how long it had been since I had the regular habit of picking up a pen (or brush or crayon) and just let it move across paper. Getting back into it felt awkward and difficult, and being  constrained in time and entrenched in academia, it was the art bloggers out there whose posts helped me start moving through that awkwardness, whether they realize it or not.




So, a shout out of thanks, in no particular order,  to:

Stephanie, whose  mandala art at Flickr has long inspired me, and whose words of encouragement fell on deaf ears till recently :)

Dawn of D'Blogala, instigator of  NaNoJouMo at Flickr. Her daily prompts inspired me even if I never actually included the actual word in anything I drew or doodled. I'm taking note of the words she uses nevertheless, as in lieu of resolution, I choose a word every New Year as a sort of guide and focus for the rest of the year.

Tammy of Daisy Yellow, in particular her posts about line practice and more recently, mandala practice . I really loved her very practical suggestions for just getting the pen moving, and getting past freezing at the sight of a blank page.



And of course, I haven't totally abandoned my tendency to draw my injuries - well, in this case, that of my daughter. As dancer going through a growth spurt, we're working through some hip issues.



So, thanks also to my friend and fellow yogini Sharon Frost, who has never ceased being a source of encouragement and inspiration, on the mat, and on paper.

Project 310

With less than two months to go to complete Project 365, which I started on Jan 1 of this year, I find my motivation sorely in need of a kick start. Perhaps because of a disappointing fall, during which the still-green leaves were crushed with an early snow, so that we got mooshy green-browns rather than the brilliant yellows and coppers we usually enjoy. Perhaps because of the return to standard time, leaving even less natural light in the afternoon and evening. More than likely, the steady parade of viruses that have made their appearances in our home, so that in the last month there have only been a handful of days where every family member has been completely well.  By necessity of schedule,  illness, and lack of light, there have been altogether too many pictures of stuff just sitting on my shelf, because that's all there's been time and energy for.

Still, my kids have insisted "You can't stop now. You have to finish what you've started. And what if it's interesting later on? like that old house. Maybe it will be torn down next year, but you'll have a picture of it.".

So at least I have their encouragement,  and more than likely in their case, it will be "remember those pens Mom used?" or "can you believe we ever thought the iTouch was so cool?"  So I'll keep going till the end of the year, at the very least learning more about my lenses, particularly the non-metering, non-focusing micro I recently acquired, and get a better understanding of exposure.

In the meantime, a happy surprise, the result of playing with a new presets generously provided by raceytay at Flickr, and Rita's Honey Retro action from the Coffeshop.

out of the stone age

out of the stone age, originally uploaded by Sophie_vf.

we have joined the 20th century - or, wait, is it the 21st? Vexed at last with crappy cable choices, Tim broke down and ordered satellite TV. I hardly watch TV at all, not because I am philosophically opposed to it or virtuous in any way, I just can't find anything I want to watch. This feels very decadent to me - my family didn't have cable TV growing up; we had two and a half channels (four on a really good day and the wind blowing in the right direction) and Tim didn't even have *live* TV when he was young - they had to truck in tapes to Prince Rupert so that the hockey games were a week late by the time you watched them. So we are quite agog at the possibilities.

Of most relevance to me: I get more knitting done if I have something to watch on TV. With the coming need to wear more wool (and children having outgrown mittens, etc), this is good timing. That is, if someone else operates the blasted remote control for me so I can keep my hands on the needles.

momentary loss of motivation

momentary loss of motivation, 298/365, originally uploaded by Sophie_vf.

Two thirds of a gathered yoke pullover, the sweater I started way back in January. I lost momentum when it got warm in the spring, but the reason I'm having a hard time picking it back up is that it is a very unweildy project. I thought I'd be clever and knit the sleeves from the shoulder down so as to avoid seaming. This is great in theory, but very annoying to have this big clump of sweater in your lap while knitting a relatively smallish tube. Still, I have vowed to finish this thing before starting a new project, and I desperately want to start a new project. Also, it is very cold here.

Exacompta Basics Sketchbook Review - Part 3 of the Exaclair Swag Fest

I finally managed to get a good sunny day to take pictures of several types of media I tried out in the Exacompta Basics Sketchbook mentioned earlier. Like the previously reviewed Quo Vadis Habana and Rhodia Webnotebook, this was part of a package sent by Karen Doherty of Exaclair, the enviably responsive US distributor of products in the Clairefontaine family.

As beautiful as all the notebooks were, this was easily the most striking and most pleasant to hold in the hand, owing to the leather-like Madeira cover. Usually fake leather feels really cheezy, but not this. It's warm and flexible to the touch, and lightly embossed with a faux grain and stitching.



The book itself is clothbound with a cardboard cover, very much like the Clairefontaine "Age Bag" notebooks I've used over the years. In fact, other than the imprinted logo and slightly narrower format, you could easily mistake the two - except for the multicoloured ribbon marker, gold edging, and most importantly, the paper.



Rather than the smooth white 90 g paper you'd normally find in a Clairefontaine notebook, the Exacompta sketchbook contains a 100g light cream laid paper. This is produced in the same plant that makes G. Lalo stationery, thus the paper is lightly textured, one side more markedly than the other. Both sides are highly compatible with fountain pen inks.



However, it is a sketchbook - so I pulled out several pencils and pens to see how the paper behaved. Caveat: I am not an artist. I am someone who scribbles on notepaper during lectures and napkins while waiting for a meal, and I use sketchbooks as a rationale for buying colorful pencils and many pens. That disclosure aside, here are some charts with various media. All pictures are clickable to larger pictures at Flickr.

I tried:

0.35 Rapidosketch with India Ink
superfine Pitt Artist Pen in black and sepia
0.3 mm Pilot drawing pen
0.5 mm Sakura Pigment Micron
Pentel pocket Brush pen for calligraphy

Neocolor II watersoluble crayons
Derwent Inktense watersoluble pencils
Derwent Graphitint pencils
Winsor & Newton watercolours (I think).












Since the pictures are pretty clearly labelled, I'm not going to give a blow-by-blow of every single one, just summarize to say that colours stay beautifully bright and clean, with a minimal of buckling when wet. It's easy to pick up colour from one area and transfer it to another. The slightly muddy looking colours in the brush pen page is more an issue of having not cleaned my paint box recently, and nothing to do with the paper.

All pen inks went down smoothly with clean, sharp, lines, and none bled through or feathered. The only potential drawback is that due to the slight texture of the laid paper, I don't think I would use a pen much narrower than the .35 mm Rapidosketch - that is probably the smallest size I would feel comfortable with on this paper.

The paper is ideal for pencil, as well. I tried a 4B and HB Staedtler lumograph and the slight tooth was perfect for pencil use. The only potential drawback is that the texture makes it somewhat difficult to erase cleanly, but that occurs with many other papers and not a major drawback to the overall quality of the paper.

The laid texture does show up more prominently on one side than the other, which means that depending on where you are in the signature, you will have either the smoother or laid side facing you. It may or may not matter to you, but you certainly have the ability to choose which side to work on if you wish. The centre of the signature, however, will only show you the smoother side if you wanted to do a double page spread.

All in all, this is a book that I really enjoyed testing and continue to enjoy using. If I were the sort of girl to hug a book to my chest and spin around in delight, this is the book that would make me do that. However, I'm not, so instead, I just stuff it in my bag and carry it around and shout "don't touch that" whenever a member of my family ventures near it.

I have plenty of sketchbooks, all of which I use at some point or another, but among the virtues of this one is that it lies flat WITHOUT hateful spirals that drive me nuts, or the annoying hump in the middle that some notebooks have. I thought at first that the gold edging and ribbon marker, not to mention the vibrant Madeira cover would make it seem too "nice" for everyday use, but that hasn't been the case at all. It's just the right size to carry around, the right balance between flexibility and stiffness, and the paper seems happy to take anything you care to throw at it. I've already ordered a few for my children, one of the rare times that I actually order something from out of the country. I like it that much.

Read more reviews on this sketchbook at:

Dizzy Pen

Lung Sketching Scrolls

Spiritual Evolution of the Bean

The Inkophile

Many thanks again to Karen of Exaclair for the chance to try these wonderful products!

#491; In which Wendy is prepared

it's like a sign! well, if signs came from surfing through various links shared by friends. However I interpret it thus: pick up your knitting needles and get cracking.

#491; In which Wendy is prepared

to while the cold winter away

although we should really be outside enjoying beautiful fall weather and golden leaves out in the coulees, we're - well, not. The weather has vacillated between snow and freezing rain with the occasional chinook to break things up, and the onset of cold and flu season has struck earlier and harder than usual, with burgeoning fears of H1N1.

Saturday morning is usually judo practice, but only one out of the three of us felt really up to it, so the other two of us picked up wonton skins with the idea of making chicken soup - wonton chicken soup, that is.


we ground up chicken thighs, added chopped carrot and onion, and seasoned it with black pepper, salt, soy sauce, and some ground ginger. Next time I think we will add green onions and water chestnuts. I was pretty happy with these, considering that I haven't made them since I lived at home with my parents. Dropped into homemade turkey broth from the freezer and simmered till tender, they were fabulous, and I'm sure, very therapeutic.



I hate deep frying things because I can never get the oil the right temperature and I inevitably burn things. Plus the house smells like McDonalds for a few days. Ecch. Yet I felt compelled to try it anyway, just this once, because hey, wontons.

They were not a succcess. The skins burned, and the filling did not quite cook through, necessitating putting them in the microwave, which of course toughened the skins. Ugh.
In the same batch, threw in some samosas made with a curried beef filling. However, the samosa pastry I bought at the local ethnic food store kept falling apart - probably freezer burned and a bit brittle. No matter how much I tried to soften it with a damp paper towel, etc. it cracked even when gently rolled.



so I made some empanada dough to enclose it instead.



We baked most of them, but for the sake of experimentation, tried frying a few.
The filling turned out better than usual - I think because of the addition of toasted cumin seeds.



Almond toffee bars. Stasha made these. I'd forgetten how good roasted almonds are, and that's just what happens to these almonds here, after baking in the oven surrounded by butter and sugar...
They are horribly addictive. She has been ordered to never ever make them again, except maybe at Christmas.


I was inspired by mikomiao's picture and post at Flickr to roast eggplants and make baba ganoush, using Pioneer Woman's graphic and very funny recipe. It would have been a lot better if I'd realized that the 4 garlic cloves the recipe called for was meant for three eggplants, not the two I actually used. Whoops.



It is still worth another try, either with more eggplant and less garlic, and maybe a less heavy hand with the tahini. But overall, a good food weekend.

Next up? Maybe some Vietnamese style salad rolls? another stab at the baba? I did enjoy scooping out their brain-like innards. And, I have a butternut squash just sitting on my kitchen island waiting for something interesting to happen. Hmmm.

telephone

telephone, originally uploaded by Sophie_vf.

Another Film Friday placeholder. After over a week of miserably grey cold weather, the chinook came and tore the clouds into fantastic shapes that changed throughout the day.

I didn't actually take the film version of this one myself - I let my daughter try out the film camera this time, but honestly she has as much of a chance as I do of getting something decent.

The film is done so I'll take it in tomorrow. I was genuinely worried I'd mess up rewinding the film and taking it out of the camera since it's been so long since I'd last done it. I hope some of them turned out, but I'm glad I have these digital versions for backup.

One more cloud picture, looking westward.

Exaclair product review, Part 2: Quo Vadis Habana review, US version

I'm still sick, and it's cold outside, so this seems like a good time to catch up on my review of the US version of the Quo Vadis Habana. Like the Rhodia Webnotebook reviewed last week, this was also a sample from Karen at Exaclair. It's markedly different from the Quo Vadis Habana I bought in Calgary about a year and a half ago, which at the time had me wondering at the raves it was getting on various forums and blogs.

As I wrote at the FPN forum :
"the paper in my Habana does not have the silky feel that I expected from a Clairefontaine product... It feels nothing like Rhodia, Clairefontaine, or the Quo Vadis planners I've owned in the past. It feels toothy running your hand over it...Writing on this paper made my pen feel scratchy - in fact, I had to keep some Rhodia notepaper nearby to write on intermittently to assure myself that the tines didn't suddenly spring out of alignment or catch a fibre. There isn't any doubt that it was the paper causing the scratchy feeling."

That post produced some discussion at the Quo Vadis blog, and it appeared that notebooks sold in Canada and Europe were different from the ones in the US, a situation that is still true: the difference between the Canadian market Habana and US market Habana is apparant in more ways than one - though not till you open up the book.

The outer appearance is the same: hard cover padded with softer vinyl, similar to the Webnotebook . In both versions, the logo is imprinted in the bottom right hand corner.
(all pictures are clickable to larger versions)



Both of these are the large size, approximately 6" x 9", so larger than either the large Moleskine or Webnotebook. Note that the the Canadian version with the brown/orange label contains 224 pages, in contrast to the US version with 80 sheets/160 pages. Implicit here is the difference in paper weight: in a notebook of identical size, the Canadian version necessarily contains lighter weight paper - 60 g according to the thread referenced earlier.


(Canadian version on the right, with orange and brown label)

The Canadian version has cream colored paper, which I personally really like and a narrower ruling, which I don't love, but don't mind, either. In contrast, the US version has bright white Clairefontaine paper, with wider ruling.


(Canadian version in cream on the left, US version in white on the right)

Actually, on the front page, both notebooks seem to perform well. There's no feathering from any of the inks in the Canadian version. The lighter weight is really apparant, though, as you can easily see the writing showing through from the next page. That might not, in itself, bother me. If it weren't for this:


(Canadian version in cream on the left, US version in white on the right)

Quite a bit more bleeding through that I really would like. In comparison, there is no bleedthrough, and minimal showthrough in the heavier, glossier paper used in the US version. The paper feels just as you'd expect Clairefontaine paper to feel - strong, smooth, and perfect for fountain pen ink. I've used Clairefontaine clothbound notebooks for some time, and it's great to have this paper bound in a hardcover with elastic and pocket.

Like the Webnotebook, the US version of the Habana is superior to the Canadian/EU version in many ways, although personal preference might come into play. Some people dislike the bright white colour and the wide ruling, although that would not personally be a deterrent for me. It could also be argued that with less pages, 160 vs. 224, it might be less of a bargain - but the trade-off is paper weight: if you end up only writing on one side of the lighter, 60 g pages due to bleeding or showthrough, all those extra pages aren't much of an advantage.

Bottom line:
I like the US version of the Habana a good deal better than the Canadian one, and would again find it more usable. However, I don't like it better than the Webnotebook, which would be my preference because of the smaller size, cream colored pages, and slightly narrower ruling. Because of the wider ruling, I would be less likely to use the Habana as my personal journal, and more likely to use it as a project journal where I want ideas laid and spaced out more clearly (I like my personal stuff to look cramped and cryptic :) - like my thoughts)

The Habana would be a great choice for anyone who likes Clairefontaine paper, which has always been consistent for me in performance and texture. It has a utilitarian, no-nonsense look and the slim build and durable binding would make it ideal for carrying around day-to day. However, for the reasons given above my first choice would still be the Webnotebook.

warming up, 283/365

warming up, 283/365, originally uploaded by Sophie_vf.

Not literally - it's still unseasonably cold out there.
I felt slight panic when I was given the chance to review the Exacompata Basics sketchbook in Madeira cover because I'm out of practice - I haven't really drawn anything since spring and I'm feeling pretty rusty. So I pulled out some pens and markers and started warming up.

I haven't sat in the food court at school in a long time - I really don't hang out there much anymore, now that I have a lab to work in, but I went there anyway just to draw. And the kids have been practicing drawing manga, so last night we all did it together, thus the big eyes, small mouth thing going on in one of the pages. Saturday, October 10.

So it begins, 281/365

So it begins, 281/365, originally uploaded by Sophie_vf.

I don't mind winter, not a lot. But I'd prefer to have a little fall, first. And I'm really annoyed that I was nearly late to teach my yoga class this morning, because I wasn't expecting to come out and find my vehicle encased in ice.

I'm not sure why I'm surprised - it's not like it hasn't happened before - here's October 4, 2005

except that year, the snow only lasted a day.



Apparantly, complaining about the weather is a preoccupation of mine, as evidenced by my 365 picture, earlier this year in March.

Exaclair product review, Part 1: Rhodia Webnotebook , the US version

A little background, to start with: the buzz over the much anticipated Rhodia Webnotebook seems to have come in two waves. The first wave anticipated the initial release of the Webnotebook, which looked to be a promising alternative to the ubiquitous and highly successful Moleskine. Moleskine users, while favoring the hard covers, elastic band, and inner pocket, bemoaned the inconsistency of the paper, which sometimes feathered or bled when used with fountain pen ink. Many fountain pen users are already fans of the smooth, ink-friendly paper found in Rhodia pads, so the idea of Rhodia paper bound in a moleskine-like format would offer the best of both worlds.

The initial release of the Webnotebook, unfortunately, failed to meet expectations: users at Fountain Pen Network reported that the paper was quite unlike that found in the Rhodia pads and was disappointingly unsuitable for many fountain pens and inks. Exaclair , the US distributor of Rhodia, Quo Vadis, Exacompta and Clairefontaine (among others) listened to the response and moved quickly, and several months later, released an improved version of the Webnotebook, this time with the Rhodia paper everyone knew and loved. Sadly, this version was only released in the States, as I found out when I purchased a Webnotebook in my home province of Alberta - it was one of those with the inferior paper.


left: black Webnotebook bought in Canada. 80g paper, 192 lined pages, 14.5 x 21 cm
right: orange Webnotebook, US version from Exaclair. 90 g paper, 192 lined pages, 5"x 8"
(this picture and all the rest are clickable to larger sizes)

Stephanie of Rhodia Drive took pity on me, especially since she knew this was my second experience with a Canadian version of a product that did not perform as well as the US versions. She contacted Karen Doherty of Exaclair, who generously sent me sample copies of the Webnotebook, the Quo Vadis Habana, and the Exacompta Basics sketchbook in a Madiera cover.

My first reaction - "Only in America? Pity!" (you have to be a certain age and nationality to get that reference)
OK - that was actually my second (or third) reaction: my first reaction was "Put those down! Those are for me!" as my husband and son pounced on them: "These look great! can I have one? Can I have THIS one?"

The Webnotebook is certainly a good looking notebook, as is the Habana and Madeira sketchbook accompanying it. The version I received is just a little wider than a large Moleskine. It might be my imagination, but it also seems a tad thicker than my Canadian purchased version, which could either be because it contains 90 rather than 80 g. paper - or, it could just be because black is slimming :)

bottom to top: Canadian-purchased Webnotebook, US version Webnotebook, large Moleskine

The build is very like the moleskine, with a softer vinyl cover that is slightly imprinted by the elastic band, but that's not something that would bother me. There is an accordion pocket in the back (I admit I rarely use the pocket in this size journal, but it is still nice to have). Others have commented that they don't care for the Rhodia logo stamped on the front or printed on the page corners, but again, this isn't something that would really bother me.



There's two things I really want my ideal notebook to do: Lie flat when open, and take fountain pen ink without bleeding (ink spreading through to the other side) or feathering (spidery ink veins spreading from the line).

I'm happy to say that the US version of the Rhodia webnotebook does both, for the most part. I really hate writing into the "hump" in the middle of a book - that should not be a problem here. The signatures seem sewn in a little tighter than the Moleskine, so the pages don't lie quite as flat - but they will remain open if you leave the book open. I think they will likely loosen up with use and over time.



The paper is cream colored and, happily, is as great to write on as the Rhodia pad. I believe it's a touch heavier in weight - 90 g as opposed to the 80 g in the pads, but it has the same smooth feel. Best of all, it takes fountain pen ink happily, allowing a nice crisp line without bleeding or feathering. Now, I admit that I'm using somewhat different inks, because I bought the Canadian version several months ago, but most of the pens used in this test are the same, with similar inks. Click through to get the Flickr "all sizes" option if you like.


left: Canadian version. right: US version. Lines are much crisper.


left: Canadian version - note large amount of bleeding and showthrough. This makes me crazy, because I am much too cheap to only write on one side of the page.
right: US version - no bleedthrough. Yay!

My only disappointment is that this version is not available in Canada, to the best of my knowledge. The US version appears to have been produced in response to its users and the initial reviews, but there doesn't appear to be a similar response from Canadian distributors. There may well be some good reason having to do with trade and imports that I can't begin to understand, but the bottom line is that if I were in a Canadian stationery store with both the Webnotebook and Moleskine on nearby shelves, I would still pick up the Moleskine, because even with the inconsistent paper, it's still better than the Canadian version of the Rhodia Webnotebook.

If you're in the States, or can get easy access to the improved, 90 g paper version of the Webnotebook, it's certainly worth picking up. I would also love to see a plain or gridded version of this, in addition to the lined one. If in Canada, wait till you're travelling south of the 49th before buying this, or until the happy day that Canadian distributors catch on, and start stocking this much better version. Well - if you use a fountain pen, that is. If you don't have that to worry about, go ahead and get either version - it's a great notebook: sturdy, handsome, in utilitarian black or outspoken orange.

It's baffling to me that the same company is producing two versions of a notebook with the same name. If I did not know, from reading various forums and blogs, that a better version of the notebook existed, I might have sworn off this brand entirely. Unfortunately, this isn't the only Exaclair product like this - the Quo Vadis Habana suffers the same Canadian handicap, and I'll be reviewing that next.

Many thanks again to Stephanie and Karen for giving me the chance to sample the good stuff.

Excompta sketchbook in Madeira

Exacompta sketchbook, 279/365, originally uploaded by Sophie_vf.

Almost too beautiful to despoil with ink, pencil and paint. But I'm going to do it anyway. I'm working on a review of this book, along with the US version of the Habana and Rhodia webnotebook. It's a welcome distraction from work/school, and I am going to have fun with this!

I feel like I need to warm up a bit, first. I really have done very little sketching and drawing over the summer, and what little I've done is mostly unpostable. A good deal of what I drew earlier this year was done in church, and I prefer not to post anything with overtly religious themes. So it will take a little while to get my hand back in, and maybe it will be just as well to test this book by using colour swatches and samples - maybe that will help get things flowing again.

surprise, 278/365

surprise, 278/365, originally uploaded by Sophie_vf.

I was extremely pleased and excited to come home to find this package of notebooks in my mailbox. They're from Karen Doherty of Exaclair, which distributes Quo Vadis, Rhodia, and Exacompta (among others) in the US. This is my chance to try - and review - some books not available in Canada - or at least, not in this form. I spend a lot of time writing, for personal reasons, work, and school, so I'm always looking for tools that are enjoyable and easy to work with. In this case, those preferred tools are fountain pens and good paper, with some paint, pencil and crayon thrown in as needed.

Many thanks to Karen, and also to Stephanie of Rhodia Drive for giving me the chance to try these out. Stephanie is the queen of notebook reviews, and I hope I'll be able to write something half as useful!

Film Fridays

This is really a placeholder for a picture still waiting to be developed. I decided to try to get more use out of my film camera - so I've decided to start making it film Friday, with a digital picture taken side by side. Not just as backup, but to remind me when the picture was taken, since obviously film doesn't have exif data. I'll scan the developed photo a few Fridays from now.

Two - three! I meant three things I learned:

1) 50 mm on a film camera has a different field of view than 50 mm on a digital, at least a digital with cropped sensor like I have. Actually, I already knew this, but somehow forgot when I slapped a 50 on each camera and headed out. Then was stupidly surprised when I went from one camera to the other and thought "hey, this looks different".

2) don't bother looking at the back of the film camera after you take a shot. There will only be the back of a camera.

3) if your film camera seems to lock up? you probably forgot to advance the film.

Man, the things you forget when going back to film!

- Posted using BlogPress from my iPhone

sleepless, 263/365

sleepless, 263/365, originally uploaded by Sophie_vf.

prompted by the Facebook meme Shuffleshare, my sisters and cousin were trying to come up with the 15 songs you would put on your iPod if it only held 15 songs ("wouldn't that make it a Walkman?" I asked). Everyone came up with a list quickly, and I finally made mine after a couple of hours of insomnia early this morning. And of course the first song I thought of was Jann Arden's Sleepless.

This went on for a few more pages, then I whittled them down to 15. A lot of them are covers that I like better than the originals, and in one case an original less well known than the hit. The ones that made it:

1. Sleepless, Jann Arden
2. Get Together, Indigo Girls.
3. Song for a Winter's Night, Sarah Mclachlan
4. Say Goodbye, Dave Mathews
5. Kyla Vuotta, Varrtina (Finnish folk-rock band)
6. Back on the Chain Gang, Pretenders
7. They Don't Know, Kirsty MacColl
8. Theme from Pat Garret and Billy the Kid, Bob Dylan
9. Proud Crowd/Pride Cried, Ferron
10. Witch of the Westmoreland, Stan Rogers
11. You were on my mind, Ian and Sylvia Tyson
12. Olivers' Army, Elvis Costello
13. Prickle-Eye Bush, Bellowhead (relatively new discovery from this year's VancouverFolk Festival)
14. It's Hard, The Who
15. Moonlight Shadow, Mike Oldfield with Maggie Riley

Sunday, September 20.

remembering sensei, 253/365

remembering sensei, 253/365, originally uploaded by Sophie_vf.

though this was actually taken at the end of May, this is the overarching story of the day, the passing of Lethbridge's beloved sensei. I struggled with this - did I really want to be reminded of this sad memory every time I looked at my photo diary? But it's not merely the story of the day, it's the memory of a man who had a profound impact on his community, and on so many lives. So yes, as sad as it is, I still want to remember. Sept 10.

extreme processing

window of St. Nicholas church, originally uploaded by Sophie_vf.

I dunno. Is this the photography/processing equivalent of knitting a uterus, or inventing a butter chicken/tater tot casserole?

Actually, even if it's processed more than I normally like, I think I like this better than either of those hypothetical things. This is a restored church at the Ukrainian Cultural Heritage Village near Edmonton, but it was one of the buildings closed the day we were there. My husband and I walked around trying to peek in the windows, and it was hard to get a shot, partly because I'm short and this was way over my head. I like the way this preset made the cloud reflections look a little like smoke wisping up from the candles inside the room.

Eryx preset courtesy of the talented and generous underthewaves at Flickr.

Month of the Damned

Month of the Damned, originally uploaded by Sophie_vf.

OK, it's a 2008 diary entry, but it's just as true this year, and even more so because they're starting in August.

We were actually expecting a lot more pain and strife, since they have been staying up till midnight and getting up around 9 for the last few weeks. I think the school subroutine kicked in and activated their brains, and got them up and at it with no trouble at all. A bit scary, that, seemingly a testament to early indoctrination of structure.

This school year actually feels like a continuation of the last one, since both kids keep the same teacher and classroom (no, they didn't flunk a year - they're both in the last year of a two-year split), which adds further to the sense of anticlimax. So it doesn't feel so much like new beginnings, as the end of a Really Really Long Weekend.

On a side note, this reminds me how little I've been drawing lately, almost none since the summer started. Damned 365!